Thursday, April 14, 2011
JIMMY DLUDLU was 13 years old when he first picked up a cousin's home made guitar and started teaching himself to play by imitating the jazz and African music he heard on the radio. His first performances were at township weddings and functions with his cousin.
His career took off in earnest in the mid-1980's, when he worked with various southern African bands including Impandze from Swaziland, featuring Jamaican singer Trevor Hall, Kalahari and Satari from Botswana, as well as Anansi, featuring the Ghanaian saxophonist George Lee. A highlight of this period was his performance with Anansi at the Botswana Independence celebrations in 1986, alongside a range of African stars including Thomas Mapfumo.
In Johannesburg in 1990, Jimmy worked as a session musician. He worked with McCoy Mrubata and his band Brotherhood, which a year later won the Gilbey's Music of Africa Competition. In September 1990, he also took part in the Market Theatre production Conversations with Canadian Bruce Cassidy on Trumpet and EVI, and South African Barney Rachabane on sax.
n March 2000, Jimmy was further acknowledged by the South African music industry, winning the "Best Male Artist" category, and with "Essence of Rhythm" taking the "Best Contemporary Jazz Album" prize at the SAMA Music Awards
Jimmy Dludlu's style includes wide-ranging influences, combining both traditional and modern elements of jazz drawn from among others Wes Montgomery, George Benson and Pat Metheny, to South African legends Miriam Makeba, Letta Mbulu, Hugh Masekela, Themba Mokwena, and Allen Kwela. He is particularly drawn to the sounds of west and central Africa, as well as Latin America, but says jazz remains his first love. His numerous original compositions fall within the tradition of what has been loosely termed Afro-Jazz.